Q1. What is the copyright on recording an engine sound at an airshow ?
If one has just that sound, with nothing else running, or people talking, no wind noise etc, i.e. a pure sound , can that sound be supplied and used by TFS if the person doing the filming gives full rights to using their recording ?
Q2. If two people are present filming an aircraft and one puts the recording onto YouTube, whilst the other provides portions of the different RPM stages to TFS, is that admissable ? The youtuber cannot copyright their recording as surely a sound is the property and copyright of anyone who were recording at the time.
Q3. What is the copyright on a WW2 recording of an engine sound if it is used in :-
a: a 1960s LP
b: a 1960s cassette
Q4. What is the copyright on an engine recording made in WW2 if it exists on a 78rpm created at the time and the owner of that 78 record is happy for TFS to use the sound captured from it ?
Q5. If a warbird owner gives permission for a recording to be made of their engine, is that admissable ?
Q6. I a company that have filmed merlins and DB605's in the past give permission for sound samppling, is that admissable ?
Q7. What funds are there if a company asks for a one off payment ?
Q8. If an MG15 owner or .303 owner is willing to have a sound recording of their gun firing supplied to TFS is that admissable ?
Q9. can a sound engineer supplied with a sound recording to analyze its make up and replicate its constituent parts, be used to create from scratch a sound, if such a method is feasible ?
Q10. can a CoD user do what Tiger 33 did and create the sound files by accessing the originals and replacing them with extracts of sounds they have, for their own use only ? Tiger33 managed it so unless he has Spock like abilities it must be feasible.
Q11. I supplied sounds for all the German engines and RAF to TheVino a few yrs ago, are they still to be used ?
I might be able to assist in many of the above scenarios
Cheers
BOBC
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